The Nana Camera shoots at around 31mm out of the box. These three add-on lenses change what it can do.

1) +1 Close-Up Filter

Brings the minimum focus distance down to 1 metre, close enough for tight portraits, selfies, and detail shots that the Nana Camera can't quite pull off on its own. The most-used add-on in the range. Screw it on and leave it on.

Best for: close-up portraits, selfies, detail shots.

2) 24mm Wide-Angle Lens

A 0.77× converter that takes the Nana Camera's native focal length from ~31mm down to ~24mm. More of the scene in the frame, useful for street photography, architecture, group shots, and any moment where 31mm feels just a little too tight.

One thing to know: this lens is labelled 0.39× which is incorrect. The actual multiplier is 0.77×, giving you a true 24mm equivalent. We'd rather tell you upfront.

Best for: street photography, architecture, groups, landscapes.

3) 14mm Fisheye Lens

A 0.45× fisheye converter that takes the Nana Camera down to approximately 14mm with the barrel distortion that makes fisheye shots unmistakable. Straight lines bend. Perspectives stretch. The edges of the frame do their own thing.

On film, that distortion gets recorded in grain and chemistry rather than pixels. It looks different. It's supposed to. Barrel distortion is obvious and intentional; if you want straight lines, this isn't the one.

Best for: street photography, creative portraits, skate shots, architecture, experimental shooting.